| AA's
|
Authors Alterations, changes
other than corrections, made by a client after the proofing process has begun.
AA's are usually charged to a client as billable time. |
| Acid-free paper |
Paper manufactured on a paper
machine with the wet-end chemistry controlled to a neutral or slightly alkaline
pH. |
| Actual weight |
The true weight of any
volume of paper. The actual weight of paper is used to determine both purchase
price and shipping costs. See also
basic size,
basis weight, weight. |
| Aqueous Coating |
A water-based coating
applied after printing, either while the paper is still on press ("in line"),
or after it's off press. An aqueous coating usually gives a gloss, dull, or
matte finish, and helps prevent the underlying ink from rubbing off. Unlike a
UV coating or a varnish, an aqueous coating will accept ink-jet printing,
making it a natural choice for jobs that require printing addresses for mass
mailings. See also , finishing, UV coating,
varnish. |
| Basic Size |
The customary sheet size
used to establish the basis weight of a ream (500 sheets) of a given grade of
paper. Standard basic sizes vary by paper grade. For example, the basic size of
book paper is 25"x38", while the basic size of cover stock is 20"x26". See also basis weight,
weight. |
| Basis Weight |
The weight, in pounds, of a
ream (500 sheets) of paper cut to a given standard (basic
size). Each major paper grade, like cover, bond, or offset, has its own
basic sheet size, which determines its basis weight. For example, the basic
size of book paper is 25"x38" for 500 sheets; therefore, 500 sheets of 70lb.
offset book paper in 25"x38" will actually weigh 70 pounds. See also basic size, weight. |
| Binding |
Fastening papers together
for easy reading, transport, and protection. Papers may be bound together with
a variety of materials, like wire, thread, glue, and plastic combs. types of
binding. See also finishing, folding,
imposition, scoring,
signature. |
| Bleed |
An image or printed color
that runs off the trimmed edge of a page. Bleeding one or more edges of a
printed page generally increases both the amount of paper needed and the
overall production cost of a printed job. Bleeds are created by trimming the
page after printing. |
| Blind Embossing |
Stamping raised letters or
images into paper using pressure and a die, but without using foil or ink to
add color to the raised areas. Braille is an example of blind embossing. |
| Blueline |
A printer's proof, actually
blue on white paper. All AA's and corrections should have been made prior to
seeing a blueline. |
| BMP |
A computer graphics format
"Bitmap IBM format" not generally used in professional printing. |
| Bond Paper |
A type of office
reprographic paper, widely used for letterheads and business forms. Bond papers
are characterized by strength, durability, and performance during electronic
printing. They are manufactured with a basic size of 17"x22". See also basic size. |
| Bonding Strength |
The internal strength of a
paper; the ability of the fibers within a paper to hold to one another. Bonding
strength measures the ability of the paper to hold together on the printing
press. Good bonding strength prevents fibers from coming loose ("picking").
See also picking. |
| Book Paper |
A type of offset paper with
a basic size of 25"x38". The primary applications for these products are book
publishing, commercial printing, direct mail, technical documents, and manuals.
See also basic size, offset papers,
text papers. |
| Brightness |
The reflectiveness of pulp,
paper, or paperboard under test conditions, using a specially calibrated
measuring instrument. If paper lacks brightness it will absorb too much light,
so little will reflect back through the ink. See
also whiteness. |
| Bristol Paper |
Solid or laminated
heavyweight paper made to a caliper thickness of .006" or higher. Bristols are
generally used for tags, covers, and file folders and have a basic size of
24.5"x30.5". See also basic size,
cover paper, tag paper. |
| Bulk
|
The thickness of a stack of
paper, technically measured as the thickness of a specified number of sheets
under a specified pressure. For example, using the measurement of an inch, it
may take less that 100 bulky bristol sheets to make an inch deep pile. On the
other hand, it might take hundreds of sheets to make an inch of a lower-bulk
text paper. Where thickness or the illusion of substance is a desired effect,
bulk is a key factor. See also
caliper, thickness. |
| Burn |
To expose photo sensitive
media to light. i.e. Burning a negative or Burning a printing plate. |
| C1S |
Paper that is coated on one
side only (coated one side). |
| C2S
|
Paper that is coated on both
sides (coated two sides). |
| Caliper |
The thickness of a single
sheet of paper, as measured with a sensitive tool called a micrometer, and
expressed in units of thousandths of an inch. Caliper is a critical measure of
uniformity. Excessive variation in caliper can lead to print variation,
undesirable visual effects, and uneven stretch or press-feeding problems. It
can also create problems in folding and binding. See
also bulk, thickness. |
| Case Binding |
See binding. |
| Cast-coating |
Paper produced with a
surface that is a reasonably accurate replication of some other surface. To
manufacture cast-coated paper, a paper web with wet or moistened coating is
brought into contact with a polished chrome drum surface, which is replicated
in the coated sheet. There are two basic cast-coating technologies: the "wet
process", invented and developed by Champion in 1937; and the "re-wet" process.
Both methods remain in use to produce the world's output of cast-coated
products. The advantage of the "wet process," used to manufacture Champion
Kromekote, is that the sheet is both smooth and absorbent, not just smooth,
allowing for excellent ink transfer with minimal pressure. Cast-coated papers
allow inks to set and dry quickly, making wet trapping easier and minimizing
dot gain. In general, cast-coated papers uniquely combine a superior flat
surface with excellent ink receptivity, making them the best of printing
surfaces, regardless of the type of printing process. See also coated-paper,
dot gain, finish. |
| Camera Ready |
Type and/or artwork that has
been pasted into position, laser prints, or other artwork to be photographed
for plate ready film. |
| Choke
|
(Choking) When trapping
color closing in an area that has another color inside so the choked color
overlaps, See also spreading. |
| Chromalin |
A color proofing system,
usually the final color proof before going on the press. This is a high quality
proof and all corrections and alterations should be made prior to this. |
| CMYK |
Abbreviation for the four
process color inks: Cyan, Magenta, Yellow and Black. |
| Coated Paper |
Paper with an outer layer of
coating applied to one of both sides. The coating may be added while the paper
is still moving through the papermaking machine, or after it comes off the
machine. Coated papers are available in a variety of finishes, like gloss,
dull, and matte. They tend to have good ink holdout and minimal dot gain, which
can be especially important for recreating sharp, bright images, black and
white halftones, and four-color process images. The smooth surface of coated
papers also helps to reflect light evenly. See
also cast-coating, dot gain, dull coated,
four-color process, gloss, halftone,
matte coated. |
| Color Key |
A printer's proof usually
used for viewing the individual layers of C,M,Y & K, four sheets of colored
acetate, for examining the quality of process color separations. |
| Color Separation |
Literally separating the
areas of a piece to be printed into its component spot and process ink colors.
Each color to be printed must have its own printing plate. Usually referred to
in a photographic sense a color separation of a photo done either digitally or
traditionally on a scanner. |
| Comp
(comprehensive) |
A complete but prospective
example of a design project, demonstrating size, layout of images and type, use
of color, and paper. See also
dummy. |
| Composite Image |
A photograph or other
graphic image, that is made of a combination of multiple images. |
| Continuous Tone |
Having an unbroken range of
intensities, as found in black and white photographs. Continuous tone images
have not been screened, and contain gradient tones from black to white.
See also halftone,
screen. |
| Contrast |
The degree of difference
between light and dark areas in an image. Extreme lights and darks give an
image high contrast. An image with a wide tonal range has lover contrast. |
| Conversion |
The process of creating a
three dimensional (3D) item from a flat sheet of paper. i.e. envelope
conversion / box conversion. |
| Copy |
The written information and
other text used in advertising and printed material. |
| Copyright |
(©) A group of legal
rights granted to the author or creator of written or visual work. All work
appearing with the © symbol or the word "copyright" is protected by its
creator or his heirs. For more information, contact your attorney. |
| Cotton Paper |
Paper with a minimum cotton
fiber content of 25%, and a maximum fiber content of 100%. When fiber other
than cotton is used, the balance comes from wood pulp. Cotton pulp is made from
rags or clippings from textile mills, raw cotton, and cotton linters. Cotton
papers are primarily used as writing papers. |
| Cover Paper |
Heavier, generally stiffer
paper commonly used for book covers, folders, greeting cards, business cards,
and brochures. Uncoated cover papers generally match the color and finish of
corresponding text papers. The basic size of cover stock is 20"x26". See also basic size, text paper. |
| Curl
|
The waviness of a sheet of
paper generally seen along its edges. Curling is generally the result of
physical stresses or changes in humidity, and may occur at the paper mill, in
the pressroom, on press, or after binding. Paper tends to curl along, rather
than across, the grain of the paper. Recycled and recycled content papers have
less tendency to curl than virgin fiber papers because their fibers are
shorter. See also grain. |
| Cut-size |
Writing or business papers
that are cut to a finished size of 8.5"x11", 8.5"x14", or 11"x17". Cut-size
papers, like Champion Inkjet, are usually packed in reams of 500 sheets before
leaving the mill. |
| Debossing |
Pressing letters or
illustrations into a sheet of paper using a metal or plastic die to create a
depressed (debossed) image. See also
embossing. |
| Deckle Edge |
The feathery edge on a sheet
of paper, created as the paper machine sprays a stream of water or a jet of air
across the paper as it's being formed. Deckle edges can also be created after
the paper is made, using a die. This method creates a less feathery,
harder-edged deckle. |
| Densitometer |
An instrument used throughout
a print run to measure the optical density of ink on paper. |
| Density |
The weight of a sheet of
paper as compared to its bulk. For example, a paper that weighs more than
another paper but is thinner has a higher density. Compacting the fibers
creates a dense paper. See
also bulk, weight. |
| Desktop Publishing |
A process for creating
camera ready and plate ready artwork on a personal computer. |
| Die-cutting |
Using a formed, metal edged
die to precision cut , or to cut shapes into a piece of paper. If a printing
project requires a custom-made die, the total cost of the job will
increase. |
| Digital Imaging |
The process of creating a
digital output of an illustration, photographic image, computer file or other
computer generated materials. Output media can be film, paper, transparencies,
vinyl and other materials. |
| Digital Photography |
The process of recording
images using a digital camera or a conventional camera with a digital adapter,
it records on a disk or on microchip which can then be downloaded directly to a
computer in tiff, pict or eps format. |
| Digital Printing |
A type of printing which
uses digital imaging process that transfers the image directly onto plain paper
immediately, without traditional offset rollers and plates. |
| Dot Compensation |
Adjusting the size of the
dots in halftones or four-color images to allow for dot gain and to ensure that
the color and detail of the image print as intended.
See also dot gain,
four-color process, halftone, screen. |
| Dot Gain |
A printing term which
describes wet ink coming in contact with paper and spreading as it is
transfers. As the halftone dots are applied to the paper, the wet ink spreads,
causing the dots to increase in size and halftones to appear darker. Paper
weight, type of paper (coated or uncoated), press type (especially web
presses), effect the amount of dot gain in a given printed piece. You may
compensate for dot gain by calculating the dot gain before a print job and
lessen the density of the images to be printed before you output film. See also dot
compensation, four-color process,
halftone. |
| DPI
(dot per inch) |
The number of dots that fit
horizontally and vertically into a one inch measure. Generally, the more dots
per inch, the more detail is captured, and the sharper the resulting image.
See also halftone,
lines per inch, screen. |
| Dull Coated |
A coated paper finish that
falls between glossy and matte. See also
coated paper, gloss,
matte coated. |
| Dummy |
An unprinted mock-up of a
book, brochure, or "to-be-printed" piece. A dummy is made of the same paper
stocks that will be used in the finished piece, and serves as a reference for
the client, designer, printer, mailing, house, or distributor. The printer,
paper, merchant, or paper consultant generally provides the dummy at the
request of the designer. See also
comp. |
| Duotone |
A two-color halftone of the
same images created with two screens, two plates, and two colors. Most
halftones are one-color halftones, printed with black ink on white paper. By
blending the black of the tiny ink dots and the white of the paper, the human
eye sees shades of gray. Duotones are made by printing an image with two
colors, generally black and a second color. The full range of tones are printed
black and the middle range of tones are printed in the second color. The result
is a striking image with more richness and depth that a one-color halftone. The
image can be further enhanced by printing a tritone or a quadratone; these are
also reproductions of black and white images, perhaps with a touch of color.
The cost of printing tritones or quadratones may be as high as or higher than
four-color process printing. See also
four-color process, halftone, quadratone,
screen, tritone. |
| Electronic Publishing |
A new process by which
information is distributed in electronic formats. The Internet is a prime
example of electronic publishing. Also books on CD ROM are considered
Electronic publishing. |
| Em
Space |
A lateral space equal to the
width of the lower case letter "m". Likewise, En space, is the space of the
lower case "n". Used in typography and typesetting. |
| Emboss |
A process by which a dye is
used for raising an area of paper to create letterforms, shapes and textures.
The dye can be made of magnesium, which is created from exposing light to the
magnesium and leaving only the form of the artwork to be pressed into paper, or
brass which is hand done, is more expensive but looks very good with beveled
edges and fine detail. See also
blind embossing, debossing. |
| Emulsion |
The chemically treated side
of photographic film. (The dull side not the shiny side.) Depending on the
printing process involved, film will be requested usually as "right reading
emulsion down". |
| Engraving |
A printing process using
intaglio, or recessed plates. Made from steel or copper, engraving plates cost
more than plates used in most other printing processes, such as lithography.
Ink sits in the recessed wells of the plate while the printing press exerts
force on the paper, pushing it into the wells and onto the ink. The pressure
creates raised letters and images on the front of the page and indentations on
the back. The raised lettering effect of engraving can be simulated using a
less costly process, called thermography. See
also plate, thermography. |
| EPS |
(EPSF) Encapsulated
Postscript File. A vector based, computer graphics file format developed by
Adobe Systems. EPS is the preferred format for many computer illustrations,
because of its efficient use of memory and fine color control. The artwork
description is "plotted" by the computer. Example: point "A" has a line that
goes to point "B" then continues to point "C", and is filled with a color.
(bitmapped artwork attributes a color for every pixel on the computer screen
and is not postscript) |
| Finishing |
preparing printed pages for
use. Most printed jobs require one or more finishing steps, such as trimming,
folding, or binding. See also
binding, folding,
trimming. |
| Flexography |
A direct (not offset)
printing method that uses relief plates, similar to rubber stamps, which are
made from rubber or photopolymer. The flexible plates are wrapped around a
cylinder on the printing press. "Flexo" works best when printing large areas of
solid color, making it popular for printing plastic bags, wrapping paper, and
milk cartons. It's also used for the Sunday color comics and newspaper inserts.
Rubber manufactures, eager to find new uses for rubber, have invested heavily
in flexographic research, and improvements have been made in ink coverage and
four-color registration. See also
four-color process, offset, plate, registration, relief. |
| Foil Stamping |
To cover paper with a thin,
flexible sheet of metal or other material. The foil, which may be clear or
opaque, comes in a range of colors, and is carried on a plastic sheet. Stamping
separates the foil from the plastic and makes it adhere to the paper. Foil
stamping can be combined with embossing or debossing as an added design
element. See also debossing, embossing. |
| Folding |
Doubling up a sheet of paper
so that one part lies on top of another. Folding stresses the paper fibers. To
create a smooth, straight fold, heavy papers, like cover stocks and bristols,
need to be scored before they're folded. Multiple fold strength is important in
printed pieces like books, maps, and pamphlets. It's far less important in one
fold operations like greeting cards or envelops, where fold cracking is the
vital consideration. Folding strength is negatively affected by the drying heat
of various printing and finishing operations. See
also binding, finishing, gatefold,
imposition, scoring,
signature. |
| Form |
The assembled pages and
images as printed on a single large sheet, before trimming. With the correct
imposition, the pages of a form will be in correct order after folding and
trimming. Once folded and trimmed, a form becomes a "signature."
See also folding,
imposition, signature,
trimming. |
| Four-color Process |
A method that uses dots of
magenta (red), cyan (blue), yellow, and black to simulate the continuous tones
and variety of colors in a color image. Reproducing a four-color image begins
with separating the image into four different halftones by using color filters
of the opposite (or negative) color. For instance, a red filter is used to
capture the cyan halftone, a blue filter is used to capture the yellow
halftone, and a green filter is used to capture the magenta halftone. Because a
printing press can't change the tone intensity of ink, four-color process
relies on a trick of the eye to mimic light and dark areas. Each halftone
separation is printed with its process color (magenta, cyan, yellow, and
black). When we look at the final result, our eyes blend the dots to recreate
the continuous tones and variety of colors we see in a color photograph,
painting, or drawing. See also
color separation, continuous tone, dots per inch,
halftone. |
| Gatefold |
Two or more parallel folds on
a sheet of paper with the end flaps folding inward.
See also folding. |
| GIF |
An eight bit (256 colors or
shades of grey) or less computer file format by CompuServe. Commonly used to
post photographic images to computer bulletin boards and the Internet, GIF
files are almost never used for professional printing. |
| Gloss |
the property that's
responsible for coated paper's shiny or lustrous appearance; also the measure
of a sheet's surface reflectiveness. Gloss is often associated with quality:
higher quality coated papers exhibit high gloss. Champion Kromekote is a paper
noted and sold for its exceptionally high gloss. See
also cast coating,
coated paper. |
| Grade |
A type or class of paper
identified as having the same composition and characteristics. Grade is a
generic paper category, such as writing, offset, cover, tag, and index paper.
It can also refer to the quality level of the paper; or to a mill's specific
rank of paper. |
| Grain
|
The direction in which more
fibers lie in a sheet of paper. As paper is formed, the slurry of fibers moves
forward on the forming wire at high speeds, aligning the fibers in the
direction of the movement and creating the grain. At the same time, the machine
shakes the slurry of fibers from side to side, so that the fibers crisscross.
This crisscrossing creates a web of fibers, and gives the paper strength in
both directions while maintaining a predominant grain, or direction. As the
moisture in the air changes, the individual fibers take in moisture and swell
sideways, rather than from end to end; this explains why paper will expand or
shrink across the grain, and is more flexible along the grain and stiffer
against the grain. For books and other bound work, the grain should run
parallel with the binding, creating a smoother fold, making the pages easier to
turn, and allowing the paper to swell across the grain. If the binding runs
across the grain, the free ends of the paper will swell or shrink with moisture
changes, but the bound ends will not. The book will buckle and the binding will
weaken. With sheet paper, the grain direction is indicated by underscoring the
dimension along which the grain lies, or by changing the order of the numbers.
For example, a 23"x35" sheet is grain long; a grain short sheet is indicated by
25"x35", or 35"x23". On web paper, the grain runs along the length of the paper
web. See also binding, grain long,
grain short. |
| Grain Long |
grain running along the
length, or long side, of a sheet of paper (23"x35"). Fibers line up parallel to
the long side of the paper. This book in your hands is an example of grain-long
binding. See also grain, grain short. |
| Grain Short |
Grain running along the
width, or short side, of a sheet of paper (35"x23"). Fibers line up parallel to
the short side of the paper. See also
grain, grain long. |
| Graphic |
A non text item,
illustration, photograph or artwork. |
| Graphic Design |
A way of communication with
visual elements and information to present an idea or concept. |
| Gravure |
A printing process that uses
intaglio, or recessed, image carriers. The image carrier, which is flat or
cylindrical, moves through an ink pool. A blade scrapes excess ink off the
plane of the plate, leaving ink in the recessed wells. A second cylinder
presses the paper onto the plates, where it picks up ink from the wells. The
high speed of gravure presses and the durability of the metal intaglio plates
make gravure an economical printing method suitable for large print runs (more
than two million copies). See also
plate, printing
methods. |
| Greek |
Usually nonsense words and
letterforms that are not legible, used in a design to approximate the "color"
of a page. Used primarily before final text is available for a client
comps. |
| Gripper |
The row of clips holding the
sheet of paper as it speeds through the press. See
also gripper edge. |
| Gripper Edge |
The leading edge of paper
that moves through a printing press or folding machine. No printing can take
place on the outside 3/8" of the paper on the gripper edge. See also gripper. |
| Halftone |
a printed picture that uses
dots to simulate the tones between light and dark. Because a printing press
cannot change the tone of ink, it will only print the ink color being used on
press. This works well for printing text or line art: the press simply puts a
full dose of ink for each letter or line on the paper, creating small solid
areas of ink. But black-and-white photographs are continuous tone images, and
printing a photograph this way would have the same result: large solid areas of
ink. White areas of the photograph would have no ink; black areas would have
black ink; and gray areas would have black, not gray ink. The halftone mimics
the continuous tone of a black-and-white photograph by converting the picture
to dots. Photographing a continuous tone image through a screen creates a
duplicate image made of dots. Darker areas of the photograph have bigger dots
and lighter area of the photograph have smaller dots. To the human eye, the
black of the dots blend with the white of the paper to create shades of gray.
The result is strikingly similar to the continuous tone of a photograph.
See also continuous tone, duotone,
four-color process, quadratone, screen,
tritone. |
| Imagesetter |
A high resolution device
that prints directly to plate ready film. Many imagesetters output film at 2400
DPI (dots per inch). |
| Imposition |
Also called image assembly;
refers to assembling printed matter in a way that results in pages appearing in
correct sequence. imposition process See also
folding, form,
make-ready, signature. |
| Impression Cylinder |
The cylinder or flat bed of
a printing press that holds paper while an inked image from the blanket is
pressed upon it. See also offset, planographic. |
| Index Paper |
A unit of measurement equal
to six (6) picas or seventy two (72) points. |
| Index Paper |
A stiff, inexpensive paper
with a smooth finish. The high bulk but low weight of this paper makes it a
popular choice for business reply cards. The basic size of index paper is
25.5"x30.5". See also basic size. |
| Ink
|
A combination of pigment,
pigment carrier or vehicle, and additives. Careful ink formulation by the
printer can reduce or prevent smudging, unevenness, picking, and additional
printing problems associated with ink. The ink used for a particular job
depends on the paper specified and the printing process used. See also UV ink,
vegetable-based ink. |
| Jog |
To shake a stack of papers,
either on a machine or by hand, so that the edges line up. Printers jog the
paper to get rid of any dust or particles, and to ensure proper feeding into
the press. |
| JPEG |
Joint Photographic
Electronic Group. A common standard for compressing image data. |
| Kern
|
To adjust the lateral space
between letters. |
| Kraft Paper |
A paper manufactured using
kraft pulp, usually noted for its strength. In the kraft pulping process, fiber
is separated from lignin by cooking wood chips with steam and pressure. |
| Laid Finish |
A paper with a translucent
pattern of lines running both parallel to, and across the grain. Laid finished
paper like Champion Mystique is created by dropping a patterned dandy roll onto
the paper machine while the paper is still wet. finish. |
| Laser
Compatible |
Paper that performs on a
laser printer or copier. Laser compatible paper has good dimensional stability
that keeps it from curling, changing shape, and causing paper jams in printers
and copiers. All of the premium writing grades that Champion manufactures are
laser compatible. |
| Leading |
The space, measured in
points, between consecutive lines of type. (Original name derived from the
strips of lead placed between lines of hot type in the early 1900's.) |
| Letterpress |
A relief printing method.
Printing is done using cast metal type or plates on which the image or printing
area are raised above the non-printing areas. Ink rollers touch only the top
surface of the raised areas; the non-printing areas are lower and do not
receive ink. The inked image is transferred directly to the page, resulting in
type of images that may actually be depressed or debossed into the paper by the
pressure of the press. See also
printing methods, relief. |
| Linen Finish |
A paper finish that is
similar to the texture of linen fabric, such as Champion Carnival Linen. Linen
finishes are embossed after the paper comes off the paper machine. See also embossing. |
| Lines Per Inch (lpi) |
The number of lines in an
inch, as found on the screens that create halftones and four-color process
images (for example, "printed 175-line screen"). The more lines per inch, the
more detailed the printed image will be. With the demand for computer-generated
imagery, the term "dots per inch" (which refers to the
resolution of the output), is replacing the term "lines per inch." See also dots per inch,
four-color process, halftone, screen. |
| Litho |
Short for lithography or
offset lithography. |
| Lithography |
A printing process using
flat surface planographic plates that is based on the principle that oil and
water don't mix. The image to be lithographed is created on the plate with
greasy material that repels water. Water is run over the plate, and the
non-image areas absorb it. When the oily ink hits the plate, it's attracted to
the similarly greasy image, and repelled by the rest of the wet plate. When
paper is pressed onto the plate, it picks up the ink (and a bit of the water).
This process is now used primarily for limited-edition prints. See also offset,
planographic, plate. |
| Lupe |
From the German word for
magnifying glass, a lens used by photographers, printers, and designers to
examine details in printed materials. |
| M
weight |
The weight in pounds of
1,000 sheets (or two standard 500sheet reams) or paper. On the label of a paper
ream, the M weight is often given after the dimensions of the paper in the
ream: for example, 23"x29"-42M. The capital letter M, like the Roman numeral M,
designates 1,000; the 42 indicates that the 1,000 sheets weigh 42 lbs. See also basis weight,
weight. |
| Make-ready |
All the activities involved
in preparing a printing press for a print run, such as setting the
registration, balancing the color, and adjusting the plates and blankets for
paper thickness. See also
imposition, plate,
printing methods, registration. |
| Making Order |
See manufacturing order also
know as making order. A quantity of paper manufactured to custom
specifications, such as a special weight, color, or size not available as a
standard stocking item. Special order requirements are necessary, and should be
discussed with a local paper consultant. See
also imposition, stock. |
| Match Color |
A custom-blended ink that
matches a specified color exactly. Match colors are used to print line copy and
halftones in one, two, three, or occasionally more colors. The specified colors
are chosen from color systems. The most widely used systems are the Pantone
Matching System, Colorcurve, and Toyo. See
also Pantone Matching System. |
| Match Print |
A color proofing system
developed by 3M. A high quality proofing system. |
| Matte Coated |
A non-glossy coating on
paper, generally used to refer to papers having little or no gloss. A matte
coated sheet is often specified when there is a lot of type, since it makes for
easier reading. See also
coated paper, dull
coated, gloss. |
| Mill |
The physical site where
paper is manufactured: refers to a company that manufactures paper. |
| Moire |
A pattern created by
printing several repetitive designs on top of each other. In four-color process
printing, four screens of colored dots print on top of each other. If the
angles of the halftone screens of each of the four colors are not properly
aligned with each other, an undesirable, blurry pattern, called "moire" appears
in the final image; the term is from the watery or wavy pattern seen on moire
silk. See also
four-color process, halftone, rosette,
screen. |
| Newsprint Paper |
A grade of paper made
primarily from groundwood (mechanical) pulp rather than chemical pulp,
resulting in a short life-span. Newsprint is one of the least expensive
printing papers. |
| Offset Printing |
(Offset lithography)
Currently the most common commercial printing method, in which ink is offset
from the printing plate to to a second roller then to paper. |
| Offset |
An indirect printing
process. Ink is transferred to paper from a blanket that carries an impression
from the printing plate, rather than directly from the printing plate itself.
Generally, when we say "offset" we mean "offset lithography," even though other
printing processes, such as letterpress, may also use this indirect technique.
The term offset (or "set off") can also refer to the smudges created when ink
from one printed sheet transfers to another. Offset spray is used to prevent
this. See also lithography, planographic,
plate. |
| Offset Papers |
Book and text weight papers
that are made to withstand the rigors of offset printing. These papers are more
resistant to water and less susceptible to picking. Most book and text grades
of paper can be used on offset presses. Often the term "offset" is used
synonymously with "book." The basic size of offset papers is 25"x38". See also basic size,
book papers, picking,
text paper. |
| Opacity |
A measure of how opaque a
paper is. The more fibers or fillers a paper has, the more opaque it is, and
the less it allows "show- through" of the printing on the back side or on the
next page. Opacity isn't always determined by thickness or weight; a thinner
paper may have more opacity than a thicker paper if opacifying thickeners are
used. See also thickness, weight. |
| Pallet |
A platform with a slatted
bottom, used to hold and ship cartons of paper stacked on top of each
other. |
| Pantone Matching System |
The most widely used system
for specifying and blending match colors. The Pantone Matching System
identifies more than 700 colors. It provides designers with swatches for
specific colors, and gives printers the recipes for making those colors.
Pantone Matching System was developed by neither a commercial printer nor an
ink manufacture, leaving the choice of ink brand up to the printer. See also match
color. |
| Paper |
A complex matted web of
cellulose fibers. |
| Paper Cut |
The excruciating, often
unforeseeable, and usually invisible-to- the-naked-eye cut received when skin
slides along the edge of a piece of paper at just the wrong angle. |
| Paperboard |
Paper with a caliper greater
than .012 inches, or 12 points. Paperboard is used primarily for packaging and
construction materials. Paperboard doesn't need to have the same whiteness and
brightness as premium printing and writing papers, and because the process of
deinking is less important in its manufacture, it is a perfect product for
using recovered fiber. See also
caliper. |
| PDF |
Portable Document file. A
proprietary format developed by Adobe Systems for the transfer of designs
across multiple computer platforms. |
| Perfect Binding |
A book binding process where
pages are glued together and directly to the cover of the book. The appearance
is of a flat spine on the end of the book such as a paperback book. |
| Perfecting Press |
A printing press that
simultaneously prints both sides of a sheet of paper as it passes through the
press. On other presses, printing both sides means running the street through
the press to print one side, allowing the ink to dry, turning the paper over,
and then running the sheet through the press again to print the other side.
See also imposition, printing
methods. |
| Petroleum-based Ink |
An ink using petroleum as
the vehicle for carrying the pigment. Ink manufacturers are seeking new
vehicles to reduce the need for petroleum-based solvents, which may be toxic at
high levels. See also ink, vegetable-based
ink. |
| Photo CD |
A proprietary format
developed by Eastman Kodak for storing photographic images on a compact disc.
Usually 35mm format. Images can be easily accessed for use in professional
printing. |
| Photocopy |
A mechanical printing process
that uses a light sensitive printing element, magnetic toner and a heating
element to fuse the toner to the paper. |
| Photo Illustration |
An image, primarily
consisting of a photograph or composite image containing a photograph. |
| Pica |
A unit of measurement equal
to twelve (12) points or one sixth (1/6) of an inch. Used by designers and
other graphics professional for its precision. |
| Picking |
A problem generally resulting
from using an ink that's too tacky for the paper it's printed on. The ink
actually pulls tiny pieces of the paper off the surface of the sheet. Two types
of picking are fiber bundles and coating picking. Fiber bundles are caused by
weak fiber bond, and coating picking occurs when the adhesive properties of
coating binder aren't strong enough to hold up the high tack of the offset
printing process. See also
bonding strength. |
| Planographic |
A method for printing ink
onto paper, where the image sits on the same surface as the printing plate. The
image area is greased to attract ink, while the rest of the plate attracts
water and repels ink. As the paper is pressed onto the flat surface of the
plate, it picks up ink from the greasy image areas and a small bit of water
from blank areas. This is the printing process used in lithography and offset
lithography. See also
lithography, offset,
plate, printing
methods. |
| Plate |
Brief for printing plate,
generally a thin sheet of metal that carries the printing image. The plate
surface is treated or configured so that only the printing image is ink
receptive. See also letterpress, lithography,
offset, planographic,
printing methods,
vegetable-based ink. |
| Plate Ready Film |
Final photographic film used
to "burn" printing plates. |
| PMS color |
(Pantone Matching System) A
proprietary color system for choosing and matching specific spot colors. Almost
all printers worldwide use this system for color matching. |
| Point |
In measurements of the
thickness of paper, one point is 1/1000 or .001 inches; measurements of the
size of type, one point is 1/72 inch. See
also caliper, thickness. |
| Post-consumer Waste |
Paper material recovered
after being used by a consumer. See also
recycled content paper,
recycled paper. |
| PrePress |
The various printing related
services, performed before ink is actually put on the printing press. (i.e.
stripping, scanning, color separating, etc. . .) |
| Press Proof |
A test printing of a subject
prior to the final production run. Press proofs are generally printed on the
paper stock that will be used for the finished project. A few sheets are run as
a final check before printing the entire job. |
| Printability |
How well a paper performs
with ink on press. Absorbency, smoothness, ink holdout, and opacity all affect
printability. See also opacity. |
| Printing |
The process of applying
images to a variety of surfaces. Some printing processes include: offset
lithography, thermography, la gravure, letterpress, silkscreen, digital, laser,
dye sub, photographic. |
| Print Quality |
The overall excellence of a
printed piece. Paper, ink, press, and the skill of the press operators all
affect print quality. See also
printability. |
| Printing Methods |
A means or tool for placing
ink on paper. Most printing is done with a plate. The four main types of
printing methods are relief, where words or images are raised above the surface
of the plate; intaglio, where they are etched through the surface;
planographic, on the same plane as the surface; and stencil, or screen
printing, cut below the plate surface. Words and images may also be "printed"
electronically, using photocopiers and inkjet printers. See also letterpress,
lithography, offset,
planographic, plate,
vegetable-based ink, screen printing,
web press. |
| Process Colors |
The four process colors:
magenta (process red), cyan (process blue), yellow, and black used to print
four-color images. See also
color separating, four-color process. |
| Process Color |
The mechanical process of
reproducing a full color image with the three primary subtractive color inks
(CMYK/ Cyan, Magenta, Yellow and Black) and black. When viewed under a lupe,
the individual color halftone dots can be seen in a process color image. |
| Pt. |
Abbreviation for "point."
See also point. |
| Quadratone |
A black and white image
printed with four screens and four colors, such as one or more blacks and
different shades of gray, used to enrich the contrast between light and dark
areas. See also continuous tone, duotone,
halftone, screen,
tritone. |
| Rag Paper |
Paper with at least 25% and
as much as 100% cotton fibers. See also
cotton paper. |
| Ream |
a package containing 500
sheets of printing paper. |
| Recyclable |
Recycled paper, recycled
paper recyclable suited for recycling. This term may be misleading. For
example, it may be physically possible to recycle a given material, but if it
is too costly to do so, or if a collection process is not in place, recycling
may be impossible or economically not feasible. |
| Recycled Content Paper |
A paper product containing
some, but consisting of less than 100% recovered fiber. . |
| Recycled Paper |
A paper product consisting
of 100% recovered fiber. Recovered fiber includes pre- and/or post-consumer
sources. Champion Benefit is an example of a 100% recycle paper. See
also recycled content
paper. |
| Registration |
The process of alignment of
the different elements in a printing job. Such as the different colored inks on
a print job, so they are correctly printed next to each other or over each
other . (i.e. If the inks can be seen to overlap improperly or to leave white
gaps on the page, the printing is said to be "out of registration" or "poorly
registered".) |
| Relief |
A method for printing ink on
paper, using type of images that rise above the surface of the printing plate.
Ink sits on top of these raised surfaces, and as the paper is pressed onto them
it picks up ink. Letterpress, flexography, and rubber stamps all use relief
plates. In letterpress, intense pressure can cause images to be slightly
debossed or depressed below the surface of the paper. See also flexography,
letterpress, plate,
printing methods. |
| Resilience |
The ability of paper to
return to its original form after being stressed by bending, stretching, or
compressing during the printing and finishing processes. See also tensile
strength. |
| RGB |
Red Green Blue, the colors
used by a computer monitor to create color images on the screen. When all three
colors are combined over each other the color of light is white. |
| Rosette |
The formation created by the
dots that make up four-color images. The dots, in magenta (red), cyan (blue),
yellow, and black, overlap each other in a cluster. Because the dots are not
perfectly round, and because they are turned at angles to each other, this
cluster resembles the arrangement of petals in a rose. See also four-color
process. |
| Saddle Stitch |
A book binding process where
pages are stapled together through the spine of the book. Traditionally
performed on V shaped saddle. Many magazines are saddle stitched or
stapled. |
| Sans Serif |
A type face that has no
tails or curled points (serifs) at the ends. |
| Scaling Images |
Here is one of my favorite
ways to scale a photo or graphic for the printer, it is a simple formula that
is pretty much foolproof. Using a pica ruler, points, or even inches if you
wish but in decimals points only. SIZE TO ________ Divided by: SIZE FROM
__________ percent key = ________ (answer) Here is an example: scaling TO 4.5
inches divided FROM 9 inches, percent = 50 percent. |
| Scoring |
Pressing a channel into a
sheet of paper to allow it to fold more easily. Scoring and pressing the paper
fibers together creates an embossed channel that does two things: acts as a
guide for easier folding, and creates a hinge that keeps the fiber stretch
short. The score should run parallel to the paper grain; the thicker the paper,
the wider the score should be. Paper should be folded with the scored side on
the outside, making two short stretches rather than one long one. The outcome
is a straight, durable fold that doesn't crack or break. See also finishing,
folding, grain. |
| Screen |
The lined glass, now called
contact film, through which images are photographed to create halftones.
Shooting through the mesh of a screen breaks an image into tiny dots. The
closer the lines of the screen, the smaller the dots and the more dots per
inch; the farther apart the lines of the screen, the bigger the dots and the
fewer the dots per inch. The higher the dots per inch, the smaller the dots
are, therefore creating a finer, crisper image. The coarseness or fineness of
the screen is measured in the number of horizontal and vertical lines per inch.
The less a paper absorbs and spreads ink, the finer the screen that can be
used. Newspapers use coarse screens with 55 to 85 lines per inch. Most trade
publications use 85 to 110 lines. With traditional printing, a coated paper can
hold the small dots from a 200-line screen. With waterless printing, the paper
can hold the dots from an even finer screen, 400 lines and greater. Though this
approaches the quality of continuous tone, it is hard for the eye to discern
the differences in resolution above 200 lines per inch. See also continuous
tone, dot gain, dots per
inch. |
| Screen Printing |
A printing process also
called silk screening, where ink is transferred through a porous screen, such
as nylon, onto the surface to be decorated. An emulsion or stencil is used to
block out the negative, or non-printing areas of the screen. A squeegee forces
ink through the open areas of the screen and onto the paper, plastic,
cardboard, wood, fabric, glass, or other material. |
| Script |
A type face that mimics the
appearance of hand written text. |
| Self Cover |
A booklet having a cover made
of the same paper as the inside or text pages. |
| Serif
|
The curls and points that
appear as outward lateral extensions of the bottoms and tops of letterforms on
some type faces. Many designers consider serif type used for body text for easy
readability. Times Roman is a well known serif typeface. |
| Service Bureau |
The facility that provides
professional services to graphics and printing professionals especially related
to computer output. (i.e. plate ready film, matchprints, colorkeys,
etc...) |
| Shade
|
The color depth and hue in
comparison to papers that are the same color; also used to describe the color
achieved by adding dye to pulp slurry. There is a wide shade variety in white
papers, as well as in colored papers. |
| Sheet-fed Press |
A press that prints single
sheets of paper, rather than a continuous roll or web of paper. A sheet-fed
press prints more slowly than a web press, and is typically used for shorter
runs. See also offset, web press. |
| Sheetwise |
See imposition. |
| Show-through |
See opacity. |
| Signature |
The collated pages of one
folded and trimmed form, making up one section of a bound book. See also binding,
form, imposition,
trimming. |
| Skid |
A platform built with a
solid wood bottom, for holding stacks of paper not packed in cartons. Paper may
be ordered in skids or cartons. When printers are printing a large job, they
generally prefer skids to cartons. |
| Spot Color |
Single colors applied to
printing when process color is not necessary (i.e. one, two and three color
printing), or when process colors need to be augmented (i.e. a fluorescent pink
headline or a metallic tint). |
| Spread 1) |
A design that encompasses
two or more facing pages (i.e. the center spread in the morning newspaper)
|
| Spread 2) |
Spreading the ink beyond the
edge of an object so that there is no gap between it and the next colored
object. "Choke and Spread" are common methods of trapping elements of a
printing job. |
| Stock Paper |
To a paper mill, a "stock
item" is a manufactured item that is inventoried, as opposed to a
"manufacturing order," which is custom made. |
| Style Sheet |
A method of designating the
type faces to be used in a design. i.e. Headlines, captions and body text, this
is listed on a "sheet", usually in a "floating pallet" on a program like
Pagemaker. |
| Subtractive Colors |
The three primary process
printing colors; magenta, cyan, and yellow, as opposed to the three additive
primary colors of green, red, and blue. Color separations are created by
shooting or scanning a color through filters of additive colors to generate
halftones of subtractive colors. Subtracting the additive color of green from
white light leaves magenta; subtracting red leaves cyan; and subtracting blue
leaves yellow. The subtractive color halftones are then combined on a printing
press to create full- color images. See
also color separation,
four-color process, halftone. |
| Swatchbook |
A booklet containing paper
samples and paper specifications for a line of paper. Champion produces
individual swatchbooks for each of its fine printing papers. |
| Tag |
Paper a heavy utility grade
of paper used to print tags, such as the store tags on clothing. Tag paper must
be strong and durable, yet have good affinity for printing inks. |
| Tear Strength |
A measure of how likely a
paper will continue to tear once started. Tear strength will be different with
and against the grain of paper. Paper that will be punched should have good
tear strength. See also
bonding strength, grain. |
| Tensile Strength |
A measure of how likely a
paper is to break when pulled at opposite ends, in opposite directions. A web
offset paper must have good tensile strength if it is to withstand the high
speed of the printing press. See also
bonding strength, web
press. |
| Text Paper |
Premium uncoated printing
paper of fine quality, manufactured in weights suitable for the text of books
or brochures. Text papers are made in a wide variety of finishes, including
smooth, antique, vellum, laid, felt, and embossed. They are characterized by
excellent folding qualities, printability, and durability. Text papers are used
most often for books, annual reports, brochures, booklets, advertising
collateral material, and announcements, and have a basic size of 25"x38".
See also basic
size, book paper, cover
paper, offset paper. |
| Thermography |
A finishing applied after
printing that creates the raised effect of engraved printing. Special inks are
used during offset printing; a powder is applied to the paper; and the paper is
passed through a heater. See also
engraving, offset,
printing methods. |
| Thickness |
The thickness of a single
piece of paper, as measured in thousandths of an inch, called "caliper."
Thickness measurements define the bulkiness of a sheet of paper, but the actual
number of sheets in an inch-high stack of paper is referred to as PPI, or pages
per inch. See also bulk, caliper. |
| TIFF |
Tagged Image File Format, a
bitmapped file format used for the reproduction of digitally scanned images
such as photographs, illustrations & logos. |
| Tint |
To vary a color by adding
white. Also, a very light or delicate variation of a color. |
| Tooth |
Refers to paper's surface
roughness, a characteristic that allows it to take up ink. |
| Trapping |
Printing ink over previously
printed ink. Trapping is also used to describe the very slight overlapping of
adjacent colors. Trapping color is achieved by use of chokes and spreads. |
| Trim Size |
The final size of a printed
piece once it's been cut to specification. |
| Trimming |
Cutting paper after printing
to make all sheets the same or a specified size. After binding printed papers,
the head, foot, and edge of a book are often trimmed in a guillotine to make
all the pages even. The inner pages of each signature have a tighter fold and
will be slightly longer than the outer pages. See
also finishing, signature,
trim size. |
| Tritone |
A black and white image
printed with three screens and three colors, such as one black and two grays,
used to enrich the contrast between light and dark areas. See also continuous
tone, duotone, halftone,
quadratone, screen. |
| Uncoated Paper |
Paper that doesn't have
coating. Uncoated papers are manufactured in a great variety of finishes,
colors, and weights, and offer the versatility needed to meet the creative and
practical demands of most print jobs. See
also book paper, cotton paper, cover paper,
offset papers, text
papers, vellum. |
| UV Coating |
A very slick, glossy coating
applied to the printed paper surface and dried on press with ultraviolet (UV)
light. The slick surface of UV coating makes it eye catching, and therefore
very popular for printing the covers of paperback novels. Because UV coating
can cause slight variations in match colors, consulting with an ink
manufacturer or printer will yield best results. |
| UV
Ink |
Ink specially formulated to
dry quickly with ultraviolet (UV) light while still on press. UV drying
improves turnaround time because it eliminates waiting for the first side to
dry before printing the second side. This eliminates the need for the paper to
pass through the press more than once. See
alsoink. |
| Varnish |
A coating printed on top of
a printed sheet to protect it, add a finish, and/or add a tinge of color. An
entire sheet may be varnished, or certain areas, like halftones, may be spot
varnished to add emphasis and appeal. |
|
Vegetable-based Ink |
And ink using vegetable oil,
rather than petroleum solvents, as the vehicle for carrying pigment. Vegetable
ink colors tend to be more vibrant than petroleum-based inks, but may take
longer to dry. This book, Words on Paper, is printed with soybased ink, a type
of vegetable-based ink. See also
ink, petroleum-based ink.
|
| Vellum |
An uncoated paper finish
that is fairly even, but not quite as even as a smooth finish. Vellum is
probably the most popular finish for uncoated paper. See also uncoated
paper. |
| Velox
|
A paper type imaging material
created by using a large printers camera and exposing the paper to light
through a lens. Used for camera ready logos, halftones. Virgin fiber fiber that
has never been used before in the manufacture of paper or other products. |
| Watermark |
A mark in fine papers,
imparted during manufacture, that identifies a paper. It doesn't leave an
impression in the paper, instead it leaves behind a translucent mark. |
| Web Press |
A high speed printing press
that prints on both sides of a continuous roll of paper. Web presses are used
for high volume printing such as newspapers and magazines. |
| Weight |
The tonnage or poundage of a
quantity of paper. The weight of paper may be expressed as basis weight, ream
weight, M weight, or grammage. Basis weight is the weight in pounds of 500
sheets of paper cut to a given standard size (called basic size), such as
25"x38", depending on the grade of paper. Ream weight is the actual weight in
pounds of 500 sheets of paper, regardless of basic size< of grade. M weight
is the actual weight of 1,000 sheets of paper. Because this is twice the
quantity of a ream of paper, it is also twice the ream weight. Grammage is a
metric measure similar to the basis weight of paper. Unlike basis weight, which
uses different basic sizes for different grades of paper, grammage always uses
the same sheet size one square meter regardless of the paper grade. See also actual weight,
basis weight, M
weight. |
| Whiteness |
The measure of the amount of
light reflected from a sheet of paper. How white a paper is depends on how
evenly it reflects all colors in the visible spectrum. If it reflects more blue
than red and yellow, it will have a cool, blue tinge to it, making it appear
brighter than white. A cool paper will appear brighter than a similar paper
with a warm tinge. A cool or warm tinge doesn't affect paper quality, but it
does create optical impressions. For example, in color printing with blues and
blacks predominating, a cool white sheet tends to brighten the colors. But
color printing with reds, oranges, and yellows predominating, a neutral or warm
white sheet tends to make the colors appear clearer and stronger. See also brightness. |
| Work and Tumble |
See imposition. |
| Work and Turn |
See imposition. |
| Wove Finish |
Uncoated paper that has an
even finish with slight toothiness. See
also tooth. |
| Zapateado |
The rhythmic stamping of the
heels, characteristic of Spanish flamenco dances can be practiced while reading
this web page! |